Brendan Coyle plays John Bates, the new valet to Lord Grantham. His character had been injured in the Boer War whilst serving as a batman to Lord Grantham so Brendan used a walking stick and acted with a limp to complete his character traits.
“A bat
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“Bates would have been commonly referred to as a cripple in those times and there wasn’t much sympathy for people who suffered with any kind of disability no matter how it was sustained,’ he says. “So, when he is appointed by Lord Grantham as his valet without Carson’s knowledge it comes as a surprise to all the staff that this man, in such a superior position, is ‘afflicted’.”
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Not only does Bates fail to complete most of his duties, those he does manage to complete, tend to becarried out pretty poorly. There’s a number of incidences where Bates drops things, he falls, or rather, is tripped up at the very grand arrival of a Duke, which is embarrassing for everybody in the line-up but mostly for Bates. “I was trying to make that scene as realistic as possible so I did let myself fall as naturally as I could,’ explains Brendan. “If you become a dead weight and are padded well enough, then you can take the impact. I’ve done a lot of stage fighting, so I wasn’t afraid of that. It did take about 20 takes and I was sore for a few days afterwards. It’s worth it just to get that one shot. I was very keen for that to look as painful and as humiliating as possible for Bates and in turn for Lord Grantham.”
Despite his many secrets Bates is essentially an honourable man who believes in loyalty and honesty which in later episodes works against him. “He doesn’t know specifically what he has done to upset his colleagues but he is older and wiser and there is a sense that he is carrying a heavy burden around with him that he won’t divulge,” says Brendan. He quickly discovers an ally below stairs in the form of housemaid Anna played by Joanne Froggatt but before this has a chance to grow into something more, the devious O’Brien lays the groundwork with an unsuspecting Lady Grantham to have Bates fired.
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As the tension builds between Bates and first footman, Thomas, the stakes between the two servants get higher as Bates’ honesty comes into question. “The resentment from Thomas and O’Brien never goes away and it bruises and bruises until violence erupts between the two men but it only cements Bates’ resolve to stay put and fight his corner…literally.”
Like the rest of the cast, Brendan benefited from the experience and knowledge of the show’s Historical Advisor, Alastair Bruce. “He has been absolutely invaluable and his presence was appreciated by everybody,” says Brendan. “He gave a very clear insight to the running of the house, the status, positions and functions of all the different staff, which was fantastic. We even had etiquette lessons,” he laughs.
For Brendan, Julian Fellowes is one of the country’s most gifted writers and there was no hesitation when he was offered the part. “Julian understands drama and crucially, he understands actors and acting, so there’s never a dull moment. The script was a real page-turner and you have this whole range of lives, classes, status and storylines - he’s a clever boy!”
Pack produced by Una Maguire and Victoria Brooks, Milk Publicity!
Photo credits: Nick Briggs, Victoria Brooks
Read much more on Downton Abbey
Photo credits: Nick Briggs, Victoria Brooks
Read much more on Downton Abbey
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